
Everyone dies—by age, by accident, or by murder. Three killers understand this truth better than anyone. One murders for art, one for conviction, and one for pleasure. Each is approached by a mysterious organization offering them a contract: kill however you wish, whenever you wish, as long as the bodies are left behind for harvesting. Bound by this grotesque agreement, the three murderers continue their work under the shadow of an unseen system that commodifies death itself.
The Murderers is not interested in comfort or morality—it is interested in truth, however grotesque that truth may be. By centering the narrative entirely on killers, the series removes any illusion of justice or balance.
What makes the story horrifying isn’t just the violence, but the framework surrounding it. Murder becomes labor. Bodies become resources. Purpose replaces guilt. Each killer’s perspective forces readers to confront different justifications for violence, none of them reassuring.
This webtoon is ideal for readers who seek extreme psychological horror, philosophical crime stories, and narratives that challenge moral boundaries. The Murderers doesn’t ask whether killing is wrong—it asks what happens when society finds it useful.